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Kateryna Lysovenko

Kateryna Lysovenko, Untitled, 2022, collection of Ukrainian Museum of Contemporary Art Kateryna Lysovenko, Untitled, 2022, collection of Ukrainian Museum of Contemporary Art 
Lysovenko, Self Portrait in old Austrian Garden Lysovenko, Self Portrait in old Austrian Garden 
Kateryna Lysovenko Untitled 2022 watercolor, paper, 40x30 cm 2023 Kateryna Lysovenko Untitled 2022 watercolor, paper, 40x30 cm 2023 
Kateryna Lysovenko Self Portrait with children, acryl, canvas, 150_180 cm 2023 Kateryna Lysovenko Self Portrait with children, acryl, canvas, 150_180 cm 2023 
Kaleidoscope of Histories 2, Zwolle, Museum de Fundatie, 2023, photo Beatrice von Bormann Kaleidoscope of Histories 2, Zwolle, Museum de Fundatie, 2023, photo Beatrice von Bormann 
Garden, solo exhibition, Territory of Terror Museum, Lviv, 2021 Garden, solo exhibition, Territory of Terror Museum, Lviv, 2021 
Kaleidoscope of Histories, Ukrainian Art 1913-2023, Albertinum, Staatliche Kunstsammlungen, curators Tatiana Kochubinskaya and Masha Isserlis, Dresden, Germany, 2023 Kaleidoscope of Histories, Ukrainian Art 1913-2023, Albertinum, Staatliche Kunstsammlungen, curators Tatiana Kochubinskaya and Masha Isserlis, Dresden, Germany, 2023 
Kateryna Lysovenko, Odesa, acrylic, canvas, 2022, private collection Kateryna Lysovenko, Odesa, acrylic, canvas, 2022, private collection 
Goodbye, East! Goodbye, Narcissus!, EKKM, Tallin, Estonia Goodbye, East! Goodbye, Narcissus!, EKKM, Tallin, Estonia 

Kateryna Lysovenko is a Ukrainian artist based in Vienna. She’s working in painting, using text, drawing and monumental painting as her other media.

Lysovenko is engaged in the study of the relationship between ideology and painting, as well as production of the image of the victim in politics and art. One of her most used means is the figure of the Other. In her work she is engaging traditions and inspirations ranging from antiquity to the present day. Lysovenko regards painting as a language that can be instrumentalized or liberated.

Since Russian full scale invasion on Ukraine, her works have become one of the most recognized images of the Ukrainian voice and perspective. But her historical and artistic reflection has a wider, universal and humanistic angle.

Her works are included in the key public collections, including Museum of Modern Art in Warsaw, Museum of Contemporary Art w Kijowie or Museum Ludwig in Budapest.

 

CV >>>

Press

Artforum, review by Maximilian Lehner

New York Times

The Washington Post

Financial Times

Gazeta Wyborcza Białystok

Village Voice

Improper Walls, Interview by Justina Špeirokaité

Art At Time Like This

Secondary Archive

Eurozine

Exhibitions

Where Ruins Grow Like Plants or Child Body
Kateryna Lysovenko
Where Ruins Grow Like Plants or Child Body

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